Reflection on the Infinite and the Undefined

We now turn our thoughts toward that which is unseen and defies easy explanation, as explored in two three-dimensional works. Rim of Infinity is a work that emerges from Eng’s innate responses to the nature of life, time and the unknowable. It features a single plane that runs fluidly onto itself in a loop. The rim rises and falls, yet continues on, unbroken and without end. Take time to notice the shadows cast by the work as well. Now look up, and make your way towards the forms that appear to be suspended in the air. This is a scaled-down maquette of Grains of Thought, a work that was originally commissioned for the Asian Civilisations Museum, and now reinstalled at Jewel Changi Airport. The work is a painting on a three-dimensional form, rather than on canvas, paper or textile. The choice of the humble rice grain as a reference point is one that is quite personal to the artist. It speaks of her passion for all things botanical, as well as her search for a subject that might embody the soul of Asia. The forms are striking in their simplicity, and allude to a staple food that looms large in the Asian consciousness, carrying with it associations of nourishment, life and commonality of experience. The final work is five times larger than this model, or five metres in length. You can see a video of it of it on the tablet on the wall to your [right/left]. This brings us to the end of our audio tour for Eng Tow—the sixth sense. Take your time to slowly explore the rest of the works in this section. Thank you for joining me and please visit the DBS Singapore Gallery at Level 2 of the City Hall Wing to view more works by the artist.