Moments in Indonesian film history : film and popular culture in a developing society, 1950-2020 / David Hanan

Notes

• Historical Circumstances Depicted in Darah dan Do'a and Enam Djam di Jogja
• Commercial Release, Censorship and the Variant Versions of Darah dan Do'a
• Social Conditions in the New Nation, and the Search for More Sophisticated Models of Narrative: Embun (1951) and Lewat Djam Malam (1954)
• The Suharto New Order Period: Langitku Rumahku ('My Sky, My Home', 1990)
• Acknowledgements
• Similarities Between the Early Perfini Films and Italian Neorealist Films
• Islamic Beliefs as Motivator in the Film Atheis
• 2 Filming the 'Struggle for the Nation', and Its Aftermath: Early Films of Usmar Ismail and the Perfini Company 1950-1954
• Achievements of the Perfini Group in the 1950s
• List of Figures
• Questions of Religious Belief in a Globalizing, Secular World: Sjuman Djaya's Atheis (1974) The Representation of Sufi Meditation and Other Forms of Religious Belief and Practice in the Film Atheis
• Santri and Abangan in Atheis
• Islam, Popular Music and Politics in the New Order
• Kantata Takwa ('Cantata of Devotion', 1990-2008)
• 'Humanity in the Revolution': The Philosophical-Moral and Political Concerns Expressed in Darah dan Do'a War and the Personal Life: 'I am Not a Soldier'
• Islam, Mysticism and Legend: Popular Cinema in the 1980s
• Enam Djam di Jogja: An Alliance Between Government, the Army and the Pemuda in the Indonesian Revolution
• 1 Introduction
• The Influence of 'Purifying' Islamic Reform Movements From the Early Nineteenth Century Onwards
• Contents
• The Early Reformasi Period: Aku Ingin Menciummu Sekali Saja ('I Wish to Kiss You Once Only', 2002)
• Intro
• References
• Darah dan Do'a ('The Long March'): Improvised Narrative with Social-Political and Moral Reflections
• Nada dan Dakwah ('A Song and a Sermon', 1991)
• Islam, Developmentalism and Backwardness
• 3 A Tradition of Political Allegory and Political Satire in Indonesian Cinema 1955-2002 A Political Allegory in the Sukarno Period: Tamu Agung ('Exalted Guest', 1955)
• 4 Approaches to Islam in the Indonesian Cinema 1970s-1990s
• The Period of Transition From Sukarno To Suharto: Matt Dower (1969)
• 'Idea Forces' in Opposition to Islam and to All Religions: Secularism, Atheistic Marxism and Anarchism